Lauren Sánchez Bezos: The Anchor Who Wore Bold — Maybe Too Bold — Dresses On Air

Lauren Sánchez Bezos has a history that some viewers remember mostly for her reporting, and others remember for the outfits she chose while reporting. She first became a familiar face on Good Day L.A. in 2003, stepped back from television for a few years to focus on family, and then returned in various on-air roles through the 2010s. During that time she worked both hard — covering stories, interviewing big names — and, well, styled herself in ways that drew attention. Some people loved it. Others thought it crossed a line. I get both reactions; they feel reasonable.

More than small talk: assignments and wardrobe choices

When she moved into entertainment reporting for Extra and later returned to Fox’s morning show, Sánchez Bezos handled high-profile interviews. She covered the Emmys and spoke to stars like Al Pacino and Julia Louis-Dreyfus. In March 2010 she interviewed Bill Clinton; for that segment she wore a dark blue, low-cut dress with a prominent pearl necklace. To many viewers that look was glamorous — to others it read as too revealing for an interview with a former president. A reposted clip drew comments along both lines: admiration for her poise and, yes, complaints that the presentation felt more flirtatious than professional.

It’s worth noting she didn’t just wear one style repeatedly. The outfits shifted in color and silhouette, but there was a through-line: a tendency toward fitted shapes, cinched waists, and necklines that emphasized her chest. Sometimes the look fit the role — glamour correspondent, red-carpet reporter — and sometimes it felt mismatched for the segment at hand, like an exuberant fashion choice for material that wasn’t explicitly fashion-focused. I can’t say the choices were illogical; they made sense if you treat morning TV as a show where visual appeal is part of the package. Still, it’s easy to see why viewers occasionally bristled.

Also read: Marla Maples, 61, Flaunts Looks — Trying to Hide Age or Just Loving Life?

Bright red dresses, blue skirts, and a pattern emerges

In February 2012 she did a few duties on Good Day L.A.: a weather report, desk anchoring and even an outdoor Super Bowl-themed food segment. On that day she wore a bright red, tight dress with a plunging neckline and a short, figure-hugging skirt. A chunky black belt accentuated the waist. That outfit read as bold, attention-grabbing and — I’ll say it — engineered to look good on camera. It was also the kind of choice that invites commentary: some applause, some critique. You see it and react.

A couple months earlier she wore a powder-blue dress for a weather segment — a slinky number with a hem well above the knee and slits on the side. Paired with a brown belt and red heels (later swapped for nude stilettos), the look was all about legs and movement; she was lively on camera, running through the forecast in a form-fitting dress that showed off her toned figure. On other occasions she picked berry tones or two-tone pieces with faux collars that still left the chest emphasized. The repetition of belts and cinched waists became a visual motif: a signature, if you like, that said “styled for attention.”

When fashion and reporting collide